Wie das Leben so spielt
Audiosamples (click to start & stop):
Wie das Leben so spielt - How life goes
What does a musician in the time of Corona do – what with no engagements, financial insecurity, and with the growing feeling that it may well be a long time before events managers and organizers feel confident enough to plan future concerts or events in the form we have heretofore been accustomed…? Does one give in to despair, quit entirely or find other work? Thomas Kramer decided to try to use this time meaningfully and creatively und began again to compose and with that, to fulfill one of his fondest wishes: to bring my musical “Dream Team” with whom I had already worked for several years into the studio. So now here it is: a “sign of life” – certainly to be continued! With two wonderful friends and musicians, Erwin Schmidt on Hammond organ and Heimo Wiederhofer on drums, The Thomas Kramer Hammond Trio, he recorded 10 fine original compositions and shows his great musical craftsmanship with a great sound as well.
01. Choro Pandemia 3:31 - 02. Regentanz 5:32 - 03. Get It 3:06 - 04. Wie das Leben so spielt 4:59 05. 90:40 4:15 06.AmTeich 5:50 - 07. Relax Max 4:25 - 08. Lockdown Minor Blues 3:28 09. Ganz bei mir 2:29 - 10. Damit a Ruah is! 3:28
Koyo
Audiosamples (click to start & stop):
“Koyo” touches upon the motivations that drive the band to create music. When the desire to discover and explore the world awakens in him, the Koyo embarks on a journey leaving his homeland and loved ones behind. Destitute, he wanders through various countries until he reaches a new, unknown land, where he is confronted with a new set of values much different from his own. Even though he struggles financially, he uses his music and spirituality to carve a way through this strange world, in hopes of building a dignified life for himself.
Arising from the Jazz-Sector, Barakah is enriching its music with a variety of stylistic influences from around the world with no hesitation. Yet the band has managed to preserve a certain openness for musical styles like Hip-Hop, Funk, Rock and Metal and to artistically interweave these styles in their repertoire, with elements of North African Gnawa music and Latin American rhythms. The musically diverse components are skillfully merged into an energetic and impulsive aesthetic. With all that comes a great joy in improvising and a slope to experimental concepts.
In their quest for their identity, Barakah pushes their musical boundaries to explore new concepts and ideas. On this journey, the image of Koyo serves as a guide to lead the band on, and as a reminder of what fascinated them so about music in the first place.
Sherif Abdalla: drums | Paulo Correa: keys Martin | Demmer: guitar | Jakob Mayr: trombone | Thomas Milacher: bass | Anton Prettler: reeds
Recorded at Treehouse Studios Vienna | Mix & Recording Director: Ken Rischard Master: Martin Siewert | Fotos: Helmut Perez Mayer | Artwork: Vero Sforza
Cover Design: Rens Newland & Anton Prettler | all titles published by Jive Music, except Tr. 10 (manscript).
01. Prologue (Sherif Abdalla) 1:42 02. Insomnia (Anton Prettler) 7:05 03. Efervescencia (Martin Demmer) 1:55 04. Otra Vez (Paulo Correa) 4:53 05. In Spite Of (Paulo Correa) 6:57
06. Koyo (Anton Prettler) 5:24 07. Red Sun (Anton Prettler) 2:24 08. Horus (Anton Prettler) 5:58 09. Zarouan (S.Abdalla, P. Correa, A. Prettler) 7:48 10. Isi‘s Vegan Cheesesauce (Markus Dutka) 5:42 11. Caracol (Paulo Correa) 2:43
This production was subsidized by S.K.E.! We kindly thank this austrian social, cultural organisation (part of austro mechana)!
Blues Indeed (w. Fuse Bluezz feat. Ric Toldon) Available here!
Audiosamples (click to start & stop):
You‘re So Mean Blues Indeed Need A Wah Guitar
Bad Day‘s Blues I‘m Sliding
Red White Blues
As Rens Newland's roots were in the 1960s Blues, the Electric Blues of John Mayall, Eric Clapton and in Holland Cuby & the Blizzards or Living Blues. and he always tried to keep this deep music feeling in all the projects and styles he did in the meantime, it was no big jump to get back into that and make a Blues album. He and his friend Peter Gruber (bass player) were talking now and then in the last years, that they should do such a project together! Now finally in the Corona times, they did it. Finding the right singer is not easy, but they found him: Ric Toldon is a cool american guy (is also percussionist) living in Vienna, who even met Jimi Hendrix and was around at Woodstock and when the Stones played in the USA. As drummer the young Simon Springer was their first choice, as well as Rens' main keyboard man Martin Wöss for the piano and synth additions. The basic sound is of course build on Mr. Newland's guitars, here he used some of his dearest instruments, like Gibson ES 335 and L5, Fender Strato and Tele, Godin Red Line, Parker Fly and Takamine Acoustic Steel. The Tracks show the broad possibilities of the Blues in form and sound: Delta Blues, Funkblues, Jazzblues, Rockblues, Acoustic Blues and more. Some instrumental tracks are of course also part of the concept! All the music is by the bandleader and most of the lyrcs, some are by Ric Toldon, like "Sneeky C" with humour and desperation at the same time.
01. The Balcony Blues 3:59 02. Fonky World 3:10 03. Sneeky C 3:57 04. Vienna Got The Blues 5:21 05. You‘re So Mean 5:29 06. Blues Indeed 4:22 07. Need A Wah Guitar 4:19 08. Bad Day‘s Blues 5:24 09. I‘m Sliding 4:36 10. Red White Blues 4:53
- GUITAR
- JAZZ GUITAR
- banjo
- GROOVE
- FUNK
- folk jazz
- ROCK
- funk rock
- RENS NEWLAND
- holland
- austria
- drums&bass
- Rock Trio
- Funk Trio
- Jazz Trio
- NYLON STRING GUITAR
- STEEL STRING GUITAR
- Bottle Neck Guitar
- Slide Guitar
- Dobro Guitar
- Blues Guitar
- Blues Vocals
- Corona
- Covid19
- Funk Blues
- Delta Blues
- Jazz Blues
- Rock blues
- Bass Guitar
Free Sound Quintet
Audiosamples (click to start & stop):
Nicolas de Staël (II)
Late Indian Summer
Nicolas de Staël (III)
Opus 2 Nobility Phoenix
1970 Hans Koller returned after 20 Years abroad and was looking for young musicians for his avant-garde musical ideas. He found this in the keyboardist Albert Mair, the guitarist Costa Lukacs and the drummer Karl Prosenik.
All three were "at home" in mainstream jazz at the time. The first rehearsals with Hans, Albert and Costa took place in late 1970, early 1971. It showed the genius of Hans Koller as a band leader, how he implemented his musical avant-garde ideas with them. He invited the bassist Adelhard Roidinger to realize his ideas. At that time he was active in avant-garde music, among other things. Adelhard says today: “Hans was a grandmaster for me. Years later I discovered a deep kinship, the commitment to Central European musical culture in the form of freedom in rhythmic design (agogic) and the overabundance of musical events ”. The "Hans Koller Free Sound Quintet" was born. The decisive factor was Koller's respect for his fellow musicians, whose talents he enhanced.
His graphic - artistically unique notation in the form of concise musical ideas without bar lines gave all musicians the greatest possible scope for creativity. After a short time, the five of them were playing music from a single source in the most renowned jazz bars in Germany, in Switzerland, France, Denmark and Austria. One day Hans said: “Let us make a record ”. A college friend of Albert, Guido Bertol, had experience in studio recording and Albert had a Revox A77. Guido - the "Rudy van Gelder" of Vienna - built a makeshift mixer from cheap components. He used the natural reverberation of his cellar for the recordings. And so this - as yet unpublished - honest, strong and rustic document was created, with Hans Koller iat his best. There are other recordings or of the FREE SOUND Quartett, but this one is UNIQUE because of the use of the additionnal guitar, geniusly played by Costa Lukacs!
01. Nicolas de Staël (II) 9:55 02. Late Indian Summer 3:44 03. Nicolas de Staël (III) 6:48 04. Opus 2 9:02 05. Red Nobility 3:38 06. Phoenix 5:16
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Read more...Waltz for Charlotte
Audiosamples (click to start & stop):
Blue Waltz Visitation Zulu Zali
The Masquerade is Over
Seven Steps to Heaven
Waltz for Charlotte Del Sasser
Speak Low Bitter Sweet
This live recording is of one of the last concerts of the international Albert Mair Trio, recorded live, 25 years ago on January 2, 1996 in the original Porgy & Bess Jazz Club in Vienna. The trio was formed In the mid-nineties..its goal: to accompany Joan Cartwright and other singers. Soon thereafter an equal musical frame of mind moved the three musicians, Albert Mair (piano), Marc Abrams (bass) and Andy Winter (drums) to perform solely as a trio. Albert’s preferred formation, a musical dream team. Concerts in Austria, Germany and Switzerland followed. Marc Abrams is a bass player from New York City presently residing in Venice (Italy) who participates in radio and television broadcasts, jazz festivals, concerts and tours in the following countries: Germany, Switzerland, Austria, Italy, France, Greece and of course the USA. He has performed with many well-known American soloists (e.g. Chet Baker, Gil Evans, Steve Grossman, Lee Konitz...) as well as European soloists Kenny Weeler, Karl Berger and Heinz Sauer and the list goes on. He met Albert Mair and Andy Winter in the mid-nineties and formed a trio for the purpose of backing featured singers (see above). In the following years they performed solely as a trio. Andy Winter is a drummer from Vienna, Austria now living in NYC, USA and Berlin, Germany. He received his formal education at the Vienna Conservatory and gave concerts early on with greats of the local scene such as Karl Ratzer, Harry Stojka, Wolfgang Puschnig and others. In 1988 he went to New York to study at the New School and has since worked with jazz musicians such as Larry Goldings, Brad Mehldau, Ron Carter, Mark Whitfield, Peter Bernstein, Scott Colley, Chris Potter, Ben Monder, Donny McCaslin, and others. He and Albert Mair were also sidemen in the Jimmy Woode Trio before they formed the trio formation with Marc Abrams.The Trio is performing loosely, with greatinteraction and lots of space for the soloistic qualities of all three. Fine Standard versions and four originals of the bandleader.
1. Blue Waltz (Albert Mair) 2. The Masquerade is Over (Allie Wrubel, Herb Magidson ) 3. A Ballad For Her (Albert Mair) 4. Bitter Sweet (SamJones) 5. Speak Low (Ogden Nash, Kurt Weill) 6. Del Sasser (Sam Jones) 7. Visitation (Paul Chambers) 8. Zulu Zali (Albert Mair) 9. Seven Steps To Heaven (Miles Davis, Victor Feldman) 10. Waltz For Charlotte (Albert Mair)
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Read more...Trance of Noiz - Live Präs. So.26.Dez.21 20:30 Porgy&Bess
What Now my Love?
Audiosamples (click to start & stop):
Pete´s Message Nocturne Op. 9
Brazilian Nature The Edge
Here We Are What Now My Love?
In the Corona year 2020 this great project developed out of a spontaneous studio jamsession of four jazz personalities:
A strong Jazz Organ Quartet, of course with the legendary Wes Montgomery Quartet in the back of the head, with some of the best musicians of Vienna, Austria.
The Clubs were closed, so better meet in the studio of drummer Dusan Novakov (projects with Mark Murphy, Oliver Lake, George Cables, John Marshall, Dick Oatts, Don Menza, Kirk Lightsey, Michelle Hendricks, Toninio Horta, Dusko Gojkovic, Valery Ponomarev, Andi Bey, Bread Lealy, Karl Ratzer, Timna Brauer und Elias Meiri Ensemble, Fernando Correa, Fritz Pauer, Big Band Graz, Frank Lacy, Gregory Porter, Paul Zauner, and Andy Middleton) and record some tunes!
On the soundgiving Hammond Organ: Erwin Schmidt (projects a.o. with Kevin Mahogany, Ray Charles, Christian Havel, Elly Wright, Ingrid Maria Wagner, Carole Alston, Heinz von Hermann, Joris Dudli, Hans Salomon. Joschi Schneeberger, Walther Großrubatscher).
On the cool jazz guitar: Christian Havel (projects Dennis Irwin, Charles Fambrough, Tony Scherr, Paolo Cardoso, Peter Herbert, Paul Imm, Jack Walrath, Ralph Ericson, Valerie Ponomarev, Juraj Bartos, Ingrid Jensen, Lee Harper, Ed Thigpen, Mario Gonzi, Joris Dudli, Fritz Pauer, Jon Davis, John di Martino, Roberto di Gioia, Harry Sokal, Klaus Dickbauer, Andy Middelton, Thomas Kugi, Rudi Berger, Erwin Schmidt, Carole Alston, Toninho Horta, Nelson Faria)
On saxophone and flute: Bernhard Wiesinger (projects FREE TENORS feat. Harry Sokal , Miss Moravia, Joris Dudli, Christian Havel, Fritz Pauer, Lori Williams, John DiMartino, Danny Grissett, Klemens Marktl, Rob Bargad, Renato Chicco Jon Davis, Gina Schwarz,Kevin Hays, Scott Colley, Bill Stewart)
1. Pete´s Message (Bernhard Wiesinger) 2. Nocturne Op. 9, No. 2 (Frédéric Chopin) 3. Within A Word (Christian Havel) 4. Brazilian Nature (Christian Havel) 5. Here We Are (Bernhard Wiesinger)
6. Blue Rose (Duke Ellington) 7. The Edge (Erwin Schmidt) 8. Walkin´ In Monk´s Shoes (Bernhard Wiesinger) 9. What Now My Love?
Reiselust
Audiosamples (click to start & stop):
Snowy Mountains Blues Twins A Guade Luft
Flying Fox Time Fog Dr. Feelgood
Miri Nebudu
A new chapter for Joschi Schneeberger's band: since his son Diknu Schneeberger went his own way, the new quartet has emerged!
Also on board: the longyear companions pianist Aaron Wonesch, Latin percussionist Anton Mühlhofer and jazz guitarist Martin Spitzer.
All band members have contributed some own compositions and of course also show up as soloists! Beboppy modern jazz, gipsy swing and Latin beats.
Fresh, cheeky, friendly and virtuoso - an album with a very positive aura, which is already evident in the name of the album: “Wanderlust”!
1 Snowy Mountains Blues 2 Twins 3 A Guade Luft 4 Flying Fox Time 5 Fog 6 Reiselust 7 Caesar Negro 8 Dr. Feelgood 9 Ägäis 10 Copper And Black 11 Miri Nebudu 12 La Route Bleue
Additional Info
- Info 1 Infoblatt deutsch
- ArtistHP joschischneeberger.at
- Press 1 Jive VÖs Concerto aug 2021
Love Won't Wait
Audiosamples (click to start & stop):
Jerry Lee Gugigugigugugugu Take Me
One Man Show (radio edit) Jazz-Zenész
Love Won´t Wait (feat. Susan Blake on Trombone)
Minden Jó Shut Up! I´m Not In Love With You
Have You Seen Mr Green? I Say Thank You
All the songs on this album are written by Susan Blake (words & music)! She did lots of touring with Dixieland bands - especially some from Hungary - ever since she left schools. One of these bands is the MISKOLC DIXIELAND BAND, which is the fine backing group on this record. As a composer Susan Blake is quite succesful: in the last years, while doing some more country stuff as a singer, in two following years she won prizes for the best song - composer and lyricist - at the Austrian Country Awards! Here on these recordings she came back to her Dixie roots, but in a delicate mix with Mainstream Jazz, Pop and Country influences. The songs sound positve and light, as if you already know them, the lyrics are with a lot of humour, about love and life. There is also a lot of room for the bands soloists and on the title track Miss Blake takes a solo on the trombone, one of her additionnal instruments.
1. Jerry Lee 2. All These Little Things 3. Take Me 4. Minden Jó 5. Love Won´t Wait (feat. Susan Blake on Trombone) 6. Shut Up! I´m Not In Love With You 7. Gugigugigugugugu 8. Have You Seen Mr Green? 9. One Man Show 10. Jazz-Zenész 11. Why Should You Not Love Me? 12. Let Make It Happen 13. I Say Thank You 14. One Man Show (radio edit)
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Read more...Additional Info
- Info 1 Infoblatt Deutsch
- Info 2 labelsheet English
- ArtistHP susanblakemusic.com
- Press 1 Absolut Beautiful Apr 2021
- Press 2 Krautnick Magazin Juli 2021 JIVE 2
- Press 3 Krautnick Magazin Juli 2021
- Press 4 Jive VÖs Concerto aug 2021
- Press 5 Film, Sound & Media Sep 2021
Turn It On
Audiosamples (click to start & stop):
Luny Tune Senza Fine Minor Truth
Peace Groovin on Dr. John One for ST
Rumpelstilzchen Balkan Flood
Erwin Schmidt, Martin Fuss, Wolfgang Pointner and Vladimir Kostadinovic are all masters of their respective instruments in any case and these four musicians have more in common than their jazz expertise: what makes The Organ Champs unbeatable as a quartet is their shared grounding in the blues. Plus that a certain funky vibe always underlies their mellow songs and solos. Their debut recording required no major advance coordination, but they simply counted themselves in and turned it on. “Turn it on” is also the name of the album, which kicks off with a vigorous drumroll! At its epicentre is the earthy, vibrant sound of the Hammond organ, a recurrent feature throughout the history of jazz that gives the music an irresistible tingling warmth. The Organ Champs also like to make forays in the direction of soul jazz and hard bop, with classics by the likes of Horace Silver, Lee Morgan or Larry Young. In their own songs, though, they skilfully bring their wide-ranging influences bang up to date.
1. Luny Tune - 2. Senza Fine - 3. Minor Truth - 4. Peace - 5. Groovin on Dr. John - 6. One for ST - 7. Way Up North - 8. Why does it have to be so bad - 9. Sonic Boom - 10. Rumpelstilzchen - 11. Balkan Flood - 12. Are You Serious
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Read more...More...
Live From Porgy & Bess (nominiert zum Preis der deutschen Schallplattenkritik 2020)
SCOPE III (only digital)
SCOPE II
SCOPE I
